Die Barok-ensemble Camerata Tinta Barocca bied ‘n program van Barok-kamermusiek, met Lynelle Kenned (sopraan), Ralitza Macheva en Annien Shaw (Barokviole), Joshua Frank (blokfluit), Bridget Rennie-Salonen (Barokfluit), Uwe Grosser (theorbe), en die geheel vanaf die klawesimbel gelei deur Erik Dippenaar.

Die program ondersoek die moontlikhede om enkeldele van werke deur verskillende komponiste, musiek-eras en genres teenoor mekaar te stel as nuwe suites of partitas – ‘n algemene praktyk van die Barok-era.

Die programsluit musiek in van Bach, Barsanti, Geminiani, Händel, Hotteterre en Merula, en word ook op Barokinstrumente.

Hou asseblief in gedagte dat veiligheidsprokolle  en bepalings streng nagevolg sal word, en dat die getal luisteraars in die Endler tot ‘n maksimum van 100 beperk word. U veiligheid en die van ons studente en patronate is ‘n prioriteit.

Die konsert vind plaas op Saterdag 15 Mei om 7nm. Kaartjies teen R150 (gewoon) en R120 (pensioenarisse en studente) is nou beskikbaar by Computicket, en by die deur ‘n uur voor aanvang. Kredietkaartfasiliteite en SnapScan-betalings is ook moontlik. Vir meer inligting skakel  Fiona Grayer by concerts@sun.ac.za of 021 808 2358.

 

Program

Tarquinio Merula (1595–1665)        

Ciaccona                                                                                                        

Ralitza Macheva (baroque violin), Joshua Frank (recorder), Uwe Grosser (theorbo), Erik Dippenaar (harpsichord)

 

FOLK SUITE

Anon                                                                                                              

The bush aboon tranquair

Annien Shaw (baroque violin)

 

Francesco Barsanti (1690–1775)                                                                  

The bush aboon tranquair from A Collection of Old Scots Tunes (1742)

Joshua Frank (recorder), Uwe Grosser (theorbo), Erik Dippenaar (harpsichord)

 

Francesco Geminiani (1687–1762)                                                               

The bush aboon tranquair from A treatise of good taste in the Art of Musick (1749)

Ralitza Macheva (baroque violin), Annien Shaw (baroque violin), Uwe Grosser (theorbo), Erik Dippenaar (harpsichord)

 

HANDEL SUITE

George Frideric Handel (1685 – 1759)

Recorder Sonata in D minor, HWV 367a

Largo – Vivace

Joshua Frank (recorder), Erik Dippenaar (harpsichord)                                                                                                                                                                                                                          

Cantata: Pensieri notturni di Filli (1707)

 

Recitativo: Nel dolce dell’oblio benché riposi la mia Filli adorata veglia coi pensier suoi e in quella quiete Amor non cessa mai con varie forme la sua pace turbar mentr’ella dorme. Aria: Giacché il sonno a lei dipinge la sembianza del suo bene, nella quiete ne pur finge d’abbracciar le sue catene. Recitativo: Così fida ella vive al cuor che adora e nell’ombre respira la luce di quel sol per cui sospira. Aria: Ha l’inganno il suo diletto se i pensier mossi d’affetto stiman ver ciò che non sanno. Ma se poi si risveglia un tal errore il pensier ridice a noi ha l’inganno il suo dolore.

Recitative: In the sweetness of slumber, although she is sleeping, my beloved Phyllis’ thoughts are waking and in the stillness Cupid never ceases to disturb her peace in many different ways while she sleeps. Aria: Since sleep deceives her with the illusion of her lover’s image, she imagines, in the stillness, that she is embracing his chains. Recitative: Thus she remains faithful to the beloved heart and in the shade she breathes the sunlight that she loves so dearly. Aria: The deceiption enjoys it when thoughts are overwhealmed by feelings and believe the dream to be true. But when thoughts, on waking, reveal the error then the deceiption feels its pain. Translation: J. Whybrow

 

Lynelle Kenned (soprano), Joshua Frank (recorder), Uwe Grosser (theorbo), Erik Dippenaar (harpsichord)

 

PASTORAL SUITE

Jacques-Martin Hotteterre (1674–1763)     

Pourquoy, doux rossignol: Tendrement from Airs et brunettes (1723)

Bridget Rennie-Salonen (baroque flute), Uwe Grosser (theorbo)

 

Georg Philipp Telemann (1681–1767)

Sonata nr 4 in G major, TWV41:G1 from Six sonates à violon seul, accompagné par le clavessin (1715)

Largo – Allegro

Annien Shaw (baroque violin), Erik Dippenaar (harpsichord)

 

François Couperin (1668–1733)                                                                                

Le Rossignol en Amour

Bridget Rennie-Salonen (baroque flute), Erik Dippenaar (harpsichord)

 

BACH SUITE

Johann Sebastian Bach (1685–1750)

Sarabande from the French Suite nr. 5 in G major, BWV816

from the Notenbüchlein für Anna Magdalena Bach (1725)

 

Gottfried Heinrich Stölzel (1690–1749)

Bist du bei Mir, BWV508

from the Notenbüchlein für Anna Magdalena Bach (1725)

Lynelle Kenned (soprano), Erik Dippenaar (harpsichord), Uwe Grosser (theorbo)

 

HANDEL OPERA SUITE

George Frideric Handel (1685–1759)

The Ouverture to Rinaldo from Handel’s Sixty Overtures from all his Operas and Oratorios Set for the Harpsichord or Organ (J. Walsh, ca. 1750)

Erik Dippenaar (harpsichord)

 

Trio sonata nr. 4 in F major, op 2, HWV 389 (London, 1733)

Larghetto – Allegro

Bridget Rennie-Salonen (baroque flute), Ralitza Macheva (baroque violin), Uwe Grosser (theorbo), Erik Dippenaar (harpsichord)

 

Lascia ch’io pianga from Songs in the Opera of Rinaldo (John Walsh, 1711)

Lascia ch’io pianga                            Allow that I weep over
mia cruda sorte,                                 my cruel fate,
e che sospiri                                        and that I may sigh
la libertà.                                             for the freedom.

Il duolo infranga                                Let my sadness shatter
queste ritorte                                      these chains
de’ miei martiri                                  of my suffering,
sol per pietà.                                       if only out of pity.

Lynelle Kenned (soprano), Erik Dippenaar (harpsichord), Uwe Grosser (theorbo)